Copenhagen | Tylah Hendrickson

I am a Philosophy Masters student and the Senior Digital Editor for Epigram. I edit articles across multiple sections and create visual graphics for the publication. I love arts, linguistics, and travelling! And plan to continue to write until I get bored of it, which I don't see happening anytime soon.

Contact me at: Tylahhendrickson1@gmail.com 

My Most Read Work

Lord of the Flies: did they miss the mark?

By Tylah Hendrickson, Arts Subeditor Last year Jack Thorne reached an astounding form of notoriety after the phenomenal Netflix mini-series Adolescence (2025), sweeping awards at the Emmys and sparking a global debate on the consequences of internet consumption amongst young boys. In the same narrative vein, his most recent adaptation of William Golding’s Lord of the Flies (1954) reminds us of the viciousness of collective human behaviour, told through a tale of boys behaving torturously.As the...

Womb Envy

Tylah Hendrickson explores the parallel exploitation of nature and the reproductive body, highlighting how modern systems, such as the rise of AI, emphasise a systemic, male-centred urge to control and commodify generative power.


Just as our biological mothers are with us at the beginning of our life cycle, so is nature. And, as with our mothers, we frequently hold an expectation of limitless provision–an allowance to ask, take, and imbalance a relationship that must be reciprocal for the su...

Beyond Perfectionism and the Fringe: In conversation with Lee Apsey

By Tylah Hendrickson, Arts Subeditor Performing at Fringe festivals, navigating the ins-and-outs of producing across media, and expecting the unexpected – award-winning writer-performer Lee Apsey has built a diverse career across film, digital media and theatre. He brings his acclaimed, audience-driven improv show Crime Scene Improvisation (CSI) to Bristol’s Tobacco Factory Theatre for one night only on 1st of February 2026. Ahead of the sold-out show, Apsey shared his insights on the festival c...

Review: 'Take Care' at the Alma Theatre

By Tylah Hendrickson, Arts Subeditor 25/26For its debut production, Late Shift Theatre presents Take Care – a comedy following six quirky care workers on New Year’s Day, all unified by their compassion and desire to help others. This one-scene act navigates responsibility and vulnerability, offering thoughtful perspectives across generations and an insightful glimpse into the realities of care work. In the staffroom, they can take a breather from the pressures of their work to unload their share...

Weaving communities through 'Common Threads'

By Tylah Hendrickson, Arts Subeditor 25/26‘A pub, a church and a farm mark time differently, with dialects threaded in different directions, yet at times coalescing. Connection is the blessing that comes from courage. Take a step into the nook of your neighbours neck of the woods and forage for their treasures…’ - On Phillip Street, Leeza Awojobi.Easy exchanges in frequented coffee shops, light-hearted chit-chat over a cheap pint, or a lazy lounge on the grass with your mates – these interaction...

The universal language of online speak: 'brain rot' and what not

By Tylah Hendrickson, Arts Subeditor 25/26As our communication has increasingly become digitalised, phrases have become shorter and the pace of words being produced has accelerated massively. Like many other things, language has been put into a trend cycle, to be consumed, enjoyed, and replaced. This is not unheard of. Words and meaning are constantly woven to reflect shifts in society, culture, and more recently our relationship with technology.Phrases easily become dated and expressions from h...